“What would you do if you were stuck in a cycle on the same day?”
“Well, what if it’s a cycle with its predecessor?”
It’s a happy and warm response. The urban emotional drama, which was produced by Hanikz and Commander-in-Chief Shokai, Mango TV, and a joint production by the New Holy See Film Industry, is being broadcast in Mango stations by more than 170 million people since 27 October.
The first day of the 14-episode short play, which is a rare comedy of love in the market, was followed by the successful play-off of the cat-eyed champion of the weekly show, and the top three of the Vlinkage micro-short show list for many days.
With regard to social media, the show was also visible, and the topics in question were repeatedly on the hot list of platforms such as Twitter and shivering. In particular, during the second wave of tremors, seven high-explosive videos with more than 100,000 ratifications emerged.
(a) As a short play, the show also showed a great deal of sincerity in the form in which it was written: the director and author of the film, who had a great deal of experience in the field of love and comedy, had written such popular works as ” The former 3: See you later ” , ” The former 4: Early Marriage in the British ” , ” Northeast Schoolers ” ;
In addition to the leading performers Hanikz and Shokai, many powerful actors, such as Monyoshi, Wang Yih, Yoon, Dai Yani, Dai Gao-gung, Zhang Wai and Wang Moo-han, have joined forces.
Such an internal and external short play, with a strong framework and fine content, not only attracts traffic but also ensures quality. When the industry is still exploring the feasibility of “salvation of the short play”, the “Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-Uh-U” has provided a success story — and the short play could have been so.
The way to win, to use the phantom to pry out real emotions. Nuclear
In the long play, the explosive ” Start ” , ” Day of Insomnia ” , is a time cycle, filled with stories of dubious colour. And while it’s also time-cycled, it’s a differentiated approach: it’s about love in a fantastic coat. It looks like the old bottle of new wine, but it’s exactly the most fundamental and important reason why the play has won the audience’s attention.
The story begins with the murder of Chen Jiawen, the man in the Shokai’s play, who jumped off the roof with his girlfriend, Hanekz. As a result, girls jumped, boys didn’t.
The brave lost their lives and the fear of height became a suspect.
During the police interrogation, the master told a fantastic story: two men were trapped on the same day — a ironic romantic date of 20 May. They have tried a variety of ways, including not just to go to the Civil Administration to obtain a marriage certificate, but have been unable to escape the cycle of despair and choose to end their lives together. That’s the beginning.
That’s the first part. In a short 10-minute story, which included a very dramatic and visual stretch of tension, the rules of the time cycle were clearly and directly set out, the circumstances of the incident were explained, and the tension caused by the jumping incident was tempered by a tribute to the comedy atmosphere by two policemen in Mermaid. In short, a clean opening successfully brought the audience into the story.
After the foundation of the Fantasy had been laid, the next 13 layers of the hierarchy had succeeded in building a love building through a pattern of male and female masters taking the task and carrying out the task. From the sweet and passionate appearances of love to the inner core of love: to pry the central issue of “trust in love” with topics such as “is it possible to live up to promises”, “know one another”, “know one another”, “determine not to impress others”; to begin with the idea of going to the Civil Administration in order to get out of the cycle of real marriage and to end the story with an ad hoc agreement in the bar for the rest of the life of a true and good couple, with a different expression from the two weddings: “Love is the essence, not the formality”.
In addition to the linear approach to love vertically, ” Almost true ” has been extended horizontally from love to personal growth and, in deconstructing the issue of love trust, through the experiences of men and women, a journey has taken place to discover the real person and to face the real person.
More interestingly, the story begins with “doing everything you can to escape the cycle” and finally leads to a very positive conclusion: “If you do not make it this day, you will live today forever.” There was never a word of “under control” in the play, but it was a sublime way of giving the audience a sense of truth.
There is no need for bitterness or harshness in the narrative; there is no need to talk about emotions to create conflict by force or to incite. It’s in a very hierarchical way, and it’s very important to have a story of fantastic love.
Scrambling, acting in good faith.
It’s an effort to “almost divide” on the meaning. And in “outside” expression, the scene is fresh, the atmosphere is romantic, the style is uniform… It can be said that the food is not simple in itself, and the cooking technique is equally carefully examined.
For example, in the first few episodes of the story, the tone was relatively relaxed, the projector mission level was set up more lively, the comedy effect was stronger, and the images followed a warm path.
As the story moves forward, when, for example, a man discovers that the woman’s death as a result of a previous car accident has always been difficult to enjoy, and this may affect the feelings of the two, while the narrative is still easy and comedy-filled, the scenes are set at night, and the atmosphere gives the audience room for serenity.
Of course, when men and women learn about themselves and emotions after all, and make determined choices to combine them, the image’s sense of happiness and romance increases dramatically and naturally gives viewers the sweetness of love.
There’s a big end to it: the two characters are holding hands across time and space (it’s not very good here, please move Mango TV to watch). The final picture was not overstated, but rather left the reading space entirely to the audience, using a simple-touching approach.
Therefore, if the creator is careful, the audience will respond by clicking.
The slogan “Together is King” has been spoken for many years, from the long stage to the short stage. Despite the slowness of the landing process, the trend towards precision has emerged in the various tracks. For short plays that seek high returns from low inputs, the creation of a product requires the creator to take more risks in creating and producing. In the name of Black Horses, ” Almost True ” , with a bright eye and a solid reputation, excellent creators are always able to use different ways of creating and to present high-level stories in a flexible manner.
So, let’s roll this up.